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What do color, form, and space know that language cannot say?  Kelly Haejung Paik has never stopped asking.


Rooted in both Korean and Western visual traditions yet defined by neither, she moves freely across painting, sculpture, tessellation, and installation — always seeking the essence beneath the surface. A single pear in raking light, a field of pure color, a geometric fragment, a vessel emerging from shadow, a surreal encounter between the familiar and the strange: each is a different door into the same abiding question — what do we actually see, and what does seeing reveal about being human?
 

Realism, abstraction, pattern, form — these are not movements to belong to but tools to think with. In their differences she finds surprising sameness: the universal rhythms of harmony, tension, memory, and becoming that pulse through all art, across all cultures, because they pulse through all of us.
 

This is not translation. It is vision — shaped by a life lived between worlds, refined into a singular voice that answers in color, form, and space.

FEATURED INTERVIEW

Kelly Haejung Paik was featured as the inaugural guest of SeattleN’s N People, discussing her transition from KBS announcer and university professor to full-time visual artist in Seattle, along with her evolving practice in painting, installation, and contemporary abstraction.

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πŸ“Ί Watch Interview
πŸ“° Read Article

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NEWS & ANNOUNCEMENTS

πŸŽ‰ New Acquisition — King County Public Art Collection

 

Dual Realities

2025

Acrylic on gallery-wrapped canvas

36 × 24 × 1.5 in.

 

Dual Realities (2025) has been acquired for the Permanent King County Public Art Collection through the Here and Now: King County Portable Works Purchase 2026 program administered by 4Culture. The painting now joins a permanent public collection, where it will be preserved, cared for, and shared with future generations.

πŸŽ‰ Grant Award — 4Culture Art Projects for Individuals

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Selected from 329 applications, King County, WA (2026)

Now On View

Luminous Offering II

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​An illuminated reinterpretation of the Korean moon jar.

Currently on view at The Coliseum of Art, Luminous Offering II is a seven-foot illuminated sculpture that reimagines the Korean moon jar through more than 400 hand-folded vellum origami units. An internal LED source diffuses light through layered translucent forms, creating shifting patterns of light and shadow.

 

The Coliseum of Art
500 Pike Street, Seattle, WA

On view June 26 – September 6, 2026

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Presented as part of Summer of Awe, in collaboration with Conru Art Foundation and PublicDisplay.ART.

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Ilwolobongdo and Peony: The Space Between Sun and Moon

A contemporary reimagining of the traditional Korean Ilwolobongdo.

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This painting reinterprets the Korean royal screen Ilwolobongdo as a contemplative still life. A red moon jar holding three pale peonies bridges tradition and the landscape of the Pacific Northwest, reflecting on continuity, memory, and the space between sun and moon.

 

Korean Consulate General in Seattle
115 W Mercer St., Seattle, WA
June 5, 2026 – January 31, 2027

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The Muse Has Spoken

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Women Painters of Washington Gallery — Seattle, WA
April 14 – July 17, 2026

 

Group exhibition featuring recent paintings exploring abstraction, structure, and layered spatial relationships.

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Present Tense, Schack Art Center 24th Juried Show
Schack Art Center — Everett, WA
May 28 – August 22, 2026

​Centered Weight selected for this juried exhibition.

Centered Weight

2026

Acrylic on canvas

36 × 24 × 1.5 in.

Art of Soccer — SODO Soccer Themed Exhibition
Gallery B612 SODO — Seattle, WA
June 2026

 

Chromatic Convergence exhibited in this juried group exhibition celebrating the energy and cross-cultural spirit of the global soccer community, timed to coincide with the 2026 FIFA World Cup hosted in the United States.
 

Drawing from the Korean five-color philosophy of obangsaek — yellow, blue, white, red, and black — this painting transforms the universal language of soccer into a single dynamic vessel form. Color, rhythm, and spatial tension converge to celebrate human connection across borders.

Chromatic Convergence

2026

Acrylic on canvas

36 × 24 × 1.5 in.

At The Precipice, Pride Art Collective Benefit Exhibition Mithun — 1201 Alaskan Way, Seattle, WA
June 4 – July 17, 2026

 

At The Precipice, Pride Art Collective — Invited Benefit Exhibition, Mithun Architecture, Seattle, WA (June 4 – July 17, 2026). Nine works exhibited; fundraiser benefiting Lambert House, a nonprofit serving LGBTQ+ youth.

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Upcoming

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​2nd U.S. Exhibition — IOI International Organization of Arts
Asia Pacific Cultural Center (APCC) — Tacoma, WA
August 1–31, 2026

 

International group exhibition presented by the IOI International Organization of Arts in partnership with the Asia Pacific Cultural Center. Work delivered and confirmed.

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© 2026 Kelly Haejung Paik PAIK STUDIO  All rights reserved

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